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"The 16th Hour" bubbles along on a manic riff -- compelling if not inventive -- until a quiet interlude prettily deconstructs and comments on the original motif
head wordsmith/drummer Neil Peart was penning lyrics about current events
Louis Bellson drums)
Having reclaimed some of their studio mojo on 2014's critically lauded Fuego
emotive and dream-like world of sound with little precedence in Orton’s prior work
Madeline Kenney Perfect Shapes 02/19/2013 "The 16th Hour" bubbles alongWhile Madeline Kenney's 2017 debut LP, Night Night at the First Landing, was at its heart a guitar centric rock album, Perfect Shapes, which was recorded and produced by a new collaborator, Wye Oak's Jenn Wasner, leaps headfirst into fresh and adventurous territory. Largely eschewing conventional rock structures, its ten songs are full of surprises big and small from vibrant synth lines to taut bass figures and subtly modulated vocals that instead of