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This adversity seems to have stirred his admiration for the working classes
The painting is signed in the lower right and housed within a frame that’s probably its original
115 achieved for ‘Bal Tabarin’ (51cm x 65cm) in 2007
This beautifully worn 19th-century landscape has darkened over time giving it an intriguing atmospheric appearance
His attention to detail brings life to each object and we particularly love the folk art wall hanging and the impressive grandfather clock
Gustaf Adolf Fahle, The Artist’s Studio Abstract This adversity seems to haveA quick observation of the artists own studio by Gustaf Adolf Emanuel Fahle (1906 1989). Directly in front of us, we see a box of paints and a jar containing brushes situated on a table with two empty chairs. While on our right, the artists easel is partially visible, perhaps holding this very painting. We love the restrained palette and slightly industrial feel to this 1960s modernist gem. Fahle studied at Gottfrid Larsson and Edward Berggren's
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