UNTITLED #92 Japanese culture to the point where each

to the point where each begins to mirror the logic of the other

his humanity through the expression of his body by what's around him

a highly distilled continuation of his thinking about the image as product

transforming the organic remnant into an everlasting technological fossil

” Banksy uses this figure to question the role of the police in authoritarian systems and how institutionalized violence is justified under the guise of public safety

UNTITLED #92 Japanese culture to the point where eachThis triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood. Courtesy Cindy Sherman Hauser & Wirth Untitled #92 is one ofCindy Shermans most iconic photographs, part of her Centerfolds series from 1981. The idea was originally to publish these images in Artforum magazine, mimicking the horizontal fold out format of magazines like Playboy. But instead of showing seductive women, Sherman does the exact oppositeshe presents