Leon Lambert After Tony Robert-Fleury, The Billet Doux Landscapes where he continued to exhibit

where he continued to exhibit for 40 years

Perhaps it also reminds us a little of the ‘Lady with an Ostrich-Feather Fan’ in Rembrandt van Rijn’s 1656/8 work

Rood screens are a common feature of late medieval churches and can be found in many parts of Europe

Bjulf was an interesting artist that trained in Dusseldorf and Paris

And with this central focal point

Leon Lambert After Tony Robert-Fleury, The Billet Doux Landscapes where he continued to exhibitThis exquisite late 19th century etching by Leon Lambert after Tony Robert Fleury (1837 1911) depicts a Parisian lady reading a Billet Doux, a love letter. Shes dressed in her fineries, including an elaborate hat, and charmed by its sweet words. Robert Fleury was a consummate professional and a regular exhibitor at the Salon in Paris. In this fine example of his work, hes interwoven a glamorous interior with several symbolic references. Note the