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layered shapes and a confident sense of colour give the composition an energetic
Presented as an archival fine art print
Colour functions as feeling here
a quiet example of the technique that redefined how painters thought about colour and perception
Printed in the muted tones of early 20th-century reference guides
The Zensetsu Temple in Sanshu by Hasui Nicole Marra layered shapes and a confidentThe Zensetsu Temple in Sanshu is Hasui Kawase at his most atmospheric a shin hanga composition that draws the eye slowly through layered planes of mist, architecture, and reflected light. The temple emerges from its landscape with the stillness of a long exposure: water mirrors the surrounding forms, sky and earth lean into one another across a hushed tonal range of blue grey and soft white. Hasui's mastery lies in the precise calibration of quiet
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