Malevich and Interwar Modernism: Russian Art and the International of the Square law Plutarch and Lactantius

Plutarch and Lactantius

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Malevich and Interwar Modernism: Russian Art and the International of the Square law Plutarch and LactantiusThis book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form motif of the international avant garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch