Barbara Hepworth, Genesis, 1969 - A3 Print Landscape When first exhibited at the

When first exhibited at the Royal Academy in 1876 On The Thames (or How Happy I Could Be With Either)  was hugely controversial

Available for collection only - please select Pick Up as the delivery method at checkout

Anna Maria Maiolino

made at the artist's studio and signed and numbered by the artist

framed by architectural devices that create ever-shifting spaces

Barbara Hepworth, Genesis, 1969 - A3 Print Landscape When first exhibited at theBarbara Hepworth, Genesis, 1969 In Genesis, two circles are placed in relation to one another, like planets hanging in space, while the title alludes to the biblical story of the creation of the universe. At this time space exploration was in the public consciousness, and Hepworth noted the year this was made: Weve all assimilated a great deal of scientific discovery the sensation of space, as well as a new conception of the universe. Lithograph on