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the distinction appears a step too far for those with no real interest in the region
et tres tendre
Equally at home with electronics
Several examples readily come to mind: Marin Marais' variations of 1681 for unaccompanied viola da gamba and Antonio Vivaldi's masterful setting of La Follia in 1705 which he scored for two violins and continuo
*Three Contemporary Dance Movements
Die Brittlein, sie muss uns lassen 2 Recorders + Accompaniment the distinction appears a step*Contemporary Composition for Recorder Quartet* which starts with a plainchant. Written for Britt Ascher and presented at the East Bay Recorder Society Annual Picnic in 2002. 1. Die Brittlein, sie muss uns lassen _Score 3 pp. Parts 1 pp._
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