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he singled out the use of Stevie Wonder's songs ("having access to the ability of Stevie Wonder and trashing it in this way ought to be a capital offense"), and called it "spurious in the extreme" before adding that it "drones on through all the clichs of infidelity to a resolution that isn't emotionally, morally or comedically satisfying." [21] Gene Siskel of the Chicago Tribune awarded the film only one star, and declared, "the only reason to watch the film is an occasional glimpse of the stunningly beautiful model Kelly Le Brock making her feature-film debut as the femme fatale who turns the head of the married milquetoast character played by Wilder." He dismissed the other central characters as "some kind of sick variation on the classic swinging California married man" and had even less positive things to say about the presentation of Gilda Radner in it: You may have heard that Wilder's real-life love, Gilda Radner, is also in the picture and therefore you assume that she has a substantial role in it

[7] : 76, 135 for instance, the expensive furisode worn by young women for Seijinshiki was deemed a necessity

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