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Fusing the sonic aesthetics of predecessors like New Order and The Cure within the cautious instruction of Greek mythology and modern science fiction
Informed by both Golestaneh’s involvement in musical performance and visual art and Cooper’s electronic production resume
Drab Majesty became Deb's musical podium for this undertaking
Previous works for lauded art-house films such as I Was Born
bass) were joined by Marcus Giltjes (drums)
Will Format:Black Vinyl LP Fusing the sonic aesthetics ofDuring some brief encounters in 1981 behind the counter at Full Moon Records in Port Huron, Michigan, record store clerk (and member of local industrial band Hate Grey) Lon Diehl started receiving tapes of self made amp noise, feedback and field recordings adorned with disturbing medical images entitled Screw Machine from regular customer Richard Skott. Instantly, Diehl and Skott struck up a friendship over their appreciation of Throbbing Gristle, SPK
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