Two Lithographics of Bamboo Gulcihan Ozguc and the second Summer of

and the second Summer of Love

and faithful to Hirokage's draughtsmanship

Galerie D'art Moderne No 17 is another confident entry in Andreas Magnusson's ongoing dialogue with mid-century exhibition design

clean colour blocking

free-flowing technique

Two Lithographics of Bamboo Gulcihan Ozguc and the second Summer ofTwo distinct bamboo studies share the picture plane in this lithographic composition, each rendered with botanical exactness and a clear eye for structure. The vertical format suits the subject slender culms rise through both panels, their segmented lengths and feathered leaf clusters described with disciplined line work. The pairing creates a quiet visual dialogue between growth stages or species, giving the work a scientific clarity rooted in the